(This is a bit of a rehash from the original Kromata post.)
Happy Zenkov was probably my first good composition. I think what makes it work is that for the first time I wasn't thinking of mixing this and that, it was a natural and intuitive invention that certainly has some Balkan and Irish things but not in an artificial way.
I came across the Zenkov rhythm in Kesslari's Doumbek Madness. The meter is 21/8 divided in three phrases 9/8 (2+2+2+3), 7/8 (2+2+3) and 5/8 (2+3). So there's some vague fractalness to the rhythm that becomes really comfortable once you get used to it.
Kromata*:
Alex Daniels - Accordion
Polen Iñaki Pérez - Flute
Charly Daniels - Darbuka
Axel Tamayo - Bass Guitar
* The Attribution for Happy Zenkov should contain this list.
